Showing posts with label Peter Watts. Show all posts
Showing posts with label Peter Watts. Show all posts

Tuesday, September 7, 2010

Peter Watts' "The Island" (novelette, space opera, free): Life cannot be peaceful

I liked the punchline - about the motives of the alien. But most of it is a dark, though readable, cocktail of familiar tropes.

Caution:  Most Watts' fiction, including this story, liberally use swear words.

Story summary.

Life of an alien, in the shape of an enormous thin membrane fully enclosing its star, is threatened because a human ship going to lay a wormhole close to it. It will persuade the humans to lay it a little away, at safe coordinates it specifies, instead. Humans will learn its motives too late...

Much of the conflict in the story is, however, between the unnamed woman narrator aboard the ship, & the AI running the ship. AI has become mad, somewhat in the sense of HAL, from Arthur Clarke's "2001 A Space Odyssey".

Collected in.

  1. Gardner Dozois (Ed)'s "The Year's Best Science Fiction: Twenty-Seventh Annual Collection" (2010, anthology).
  2. David G Hartwell & Kathryn Cramer (Eds)' "Year's Best SF 15" (2010, anthology).
  3. Rich Horton (ed)'s "The Year's Best Science Fiction & Fantasy, 2010 Edition" (anthology).
  4. Jonathan Strahan (ed)'s "The Best Science Fiction and Fantasy of the Year", Volume 4 (2010, anthology).

Fact sheet.

First published: Gardner Dozois & Jonathan Strahan (eds)' "The New Space Opera 2" (2009).
Download full text from author's site.
Read online at publisher's site.
Listen to audio as par of a longer podcast at StarShipSofa.
Rating: B.
Winner of Hugo award 2010 in novelette category.
Related: Stories of Peter Watts.

Tuesday, April 27, 2010

Peter Watts' court case conclusion

"a 60-day jail term suspended upon payment of court assessments — $68 state minimum costs, $60 victim rights, $1000 court costs and $500 fines".

Cory Doctorow summarizes the issues in simple language at Boing Boing.

Related: Stories of Peter Watts.

Saturday, March 20, 2010

Jury finds Peter Watts guilty

Watts himself describes the event.

Update 21 March 2010: Cory Doctorow reflects on Peter Watts verdict.

Related: Fiction of Peter Watts.

Wednesday, January 13, 2010

Peter Watts' "The Things" (short story, fanfic, free)

This is a retelling of John Campbell's "Who Goes There?" from the point of view of the alien rather than humans. Or, more likely, a retelling of John Carpenter's movie adaptation titled "The Thing" of the Campbell's story (I haven't seen the movie). The title comes from movie's name.

Best piece I've seen from Watts so far. And the first one I would actually recommend others. Also among the better pieces from Clarkesworld - & I've read quite a bit of their fiction. But read or see one of the originals (linked below) first, if you are unfamiliar with them.

Fact sheet.

First published: Clarkesworld, #40 (January 2010).
Download full text/MP3 from publisher's site.
Rating: A.
Added to my "best of 2010" list.

Related.

  1. Download any of the several versions of "Who Goes There?", including original text.
  2. In US only: watch Carpenter's movie "The Thing" at SF Signal or at Hulu.
  3. Stories of Peter Watts,
  4. Fiction authored by/edited by John Campbell.

Saturday, December 12, 2009

Peter Watts arrested at US/Canada border

In his own words, report at Boing Boing. [via Asimov's Forum & SF Signal]

Tuesday, October 13, 2009

Free fiction: 3 stories from Gardner Dozois & Jonathan Strahan's "The New Space Opera 2"

Read at HarperCollins (no download):

  1. Robert Charles Wilson's "Utriusqui Cosmi"
  2. Peter Watts' "The Island"
  3. John Kessel's "Events Preceding the Helvetican Renainassance"
[via SF Signal]

Sunday, May 25, 2008

Peter Watts' "Repeating the Past" (flash fiction, science fiction, free): Teaching the young irreverent the meaning of fear!!!

Two interesting observations, both for the better, about author's writing style - when I compare this story to better known "Blindsight":

  1. This story uses clean language; no profanity. So if I liked the subject matter, I could have referred it to younger crowd.
  2. While there is some jargon here, it's only to aid the story. Focus is on story telling. Compared to Blindsight, it's very clean writing.

Story summary.

Story is narrated by a survivor of Nazi concentration camps. The year is 2017. The old man is a retired doctor; so is his daughter - both specialists in brain editing, though daughter is more skillful!

Story concerns the daughter's son - an adolescent who has all but forgotten the concentration camps, & is rather irreverent towards its victims.

To teach him proper respect for the times, grandpa surgically modifies his brain - so he is "Jumping at shadows. Not sleeping at night." Basically behaving like a victim himself!!!

Collected in.

  1. David Hartwell & Kathryn Cramer (Ed)'s "Year's Best SF 13" (2008).

Fact sheet.

First published: Nature, 29 November 2007.
Rating: C
Download full text.

Wednesday, August 1, 2007

Peter Watts' "Blindsight" (novel, science fiction): Second rate first-contact story

Quote from the novel titled Blindsight by Peter WattsA stranger knocks at your door. What do you you do? You hit him with a rod - because he might be hostile! That, in a nutshell, is the message of this story!

I have an instinctive dislike of stories & people who use too much techno-babble. With rare exceptions, experience says they usually have no clue to what they are talking about. I did not really count, but I think about two-thirds of all sentences in this book contain jargon!

I have a third reason to dislike this book. "Gutter language" is the term we use in India for describing the language used in this book. I am aware different countries & communities have different tolerances - so your mileage on this count might differ from mine.

The only reason I read the whole book was its publicity & claims that it provides new insights into first contact possibilities. It doesn't.

In fact, author gives a cue - in a different context - that also applies to interpretation of this book: "something has coded nonsense in a way that poses as a useful message; only after wasting time and effort does the deception becomes apparent. The signal functions to consume the resources of a recipient for zero payoff and reduced fitness. The signal is a virus. Viruses do not arise from kin, symbionts, or other allies. The signal is an attack."

Title of the story comes from a form of hallucination where your mind says you are seeing something, but your eye is not really seeing the thing. This is an effect some human adventurers in the story experience.
Note: Aug 4, 2007: I guess I did not quite get the meaning of "blindsight" right. Comments #1 & #2 below clarify. Sorry. And my thanks to commentators.

In spite of all the negatives, there are some observations in the story that made me ponder. I collect them here.

This book is available both in paper form, & as a web download.

Story summary.
Feb 13, 2082. Earth received an easily visible & extensive meteor shower. Event got dubbed Fireflies - sometimes shortened to Flies. Investigations reveal they mostly consisted of iron.

We are later told they were actually 65,536 probes of alien origin. They took scientific measurements & then burned up in atmosphere. They formed a pattern in the skies, & said something - though no one knew what.

We are not told how, but those in authority have figured out a long period comet as a possible alien target. So a ship is made in record 18 months, & a crew is assembled to make first contact.

Now this crew cast is curious, to put it mildly:

1. Siri Keeton aka Cygnus, the narrator. He had half his brain removed surgically when he was a child - to cure "some kind of viral epilepsy". He is now a "freelance synthesist" - a job described as someone who explains "the Incomprehensible to the Indifferent", or someone who bridges "the gap between the people who make the breakthroughs and the people who take the credit for them". Most crew mates think of him as a spy of Mission Control on earth, though they generally tolerate him. He is an expert at reading body language, & also has some telepathic ability.

2. Jukka Sarasti - commander of the mission, & an - hold your breath - authentic vampire! Genetically engineered. Since he is by nature a predator, we are told he is far smarter than us. In particular, he can simultaneously look at a problem from multiple perspectives. He also likes violence, though he controls it well - for the most part, at least, where humans are concerned; but not where aliens are concerned. He also directly interfaces with the ship - his brain can be directly connected to an interface port on ship via a cable (I could not understand how his end plugs into his head).

3. Susan James - a woman with 4 independent personalities, each really a different person. I didn't quite catch how this was achieved. She is the communications expert; different personalities will presumably come in handy when talking to aliens about whom we know nothing.

4. Major Amanda Bates - the fighter. She commands an impressive armory & a contingent of fighter robots. Just to be prepared, if violence becomes necessary.

5. Isaac Szpindel - some kind of a medical expert. Not only is he available for any medical contingencies for the crew, he is supposed to be able to study the alien life. Assuming they will present themselves for dissection! He is very good at using prosthetic extensions of his senses.

6. Robert Cunningham - a standby for Isaac Szpindel.

There are three more unnamed crew member who remains in stasis all through the story. For a total of 9 member crew.

The ship they will be traveling in is called Theseus. This is a very competent & smart ship. Ship can also increase its size, & can assemble pretty much anything by collecting material from interplanetary space. Ship is so smart, everyone refers to it as the Captain.

They travel in stasis - hibernation - "sleep apnea". Because it's a long journey.

When the narrator wakes up, he realizes he has overslept by 5 years! And he is not where he should be in space. Apparently, somewhere beyond Neptune, the ship received signals from a bearing that confused it; current chase began after ship sought clarifications from earth & tracked the source.

They are now somewhere in Kuiper belt - chasing this object "200 km diameter" & "transmitting to a target not familiar to Man."

This target is dubbed Burns-Caulfield. I have an impression Theseus is one of the 3 human ships out to investigate it - not sure. Anyway, Our guys sneak up to it, & find that it is a comet - with an ice covering & some kind of structure underneath. As soon as Theseus turns its radar on it, it goes momentarily blind. When it recovers, Burns-Caulfield has vanished!

Through arguments I did not follow, it is concluded that Burns-Caulfield was an alien decoy to mislead humans. Their real ship is elsewhere. And decoy has been discovered before aliens wanted discovery.

OK - so our friends head for the real thing. I am not clear how they found the new target location - probably by tracking direction of Burns-Caulfield's radio transmissions (without coming in the radio field!). Anyway, after another long journey, they see a supermassive gas giant in the outer reaches of the solar system - 7 light months from earth; they dub it "Big Ben" or Ben. Ben weighs "over ten Jupiters" & is "measured twenty percent wider at the belly". We are told Ben is "a dismembered remnant of some long-lost galaxy that had drifted into ours and ended up as road kill, uncounted billions of years ago ... something from outside the Milky Way"!

They go in orbit around it, & observe curious things. Looks like somebody is using Ben as an agricultural field - growing things - seeding, harvesting, etc. Again, I was at a loss to follow arguments leading to this conclusion.

Then they accidentally detect something even more curious - a dark object orbiting Ben with a 40 hour period - "almost low enough to graze the atmosphere". It's a 30 km wide, hiding itself from human ship, & tracking human ship - I could not follow how humans determined it was tracking them.

As soon as the object figures it has been detected, it begins communicating in English. Our friends talk. Just hello, & trivialities. Dark object identifies itself as Rorschach, & humans determine it is some kind of a ship. They also observe that it is growing.

After a while, humans figure it is a "Chinese Room" - an entity that appears to carry out an apparently reasonable conversation without the least idea of what it is talking about! This is where humans figure they can do some violent & forced investigation.

Hence begins the tale of forced human landing on alien ship, in spite of their warnings to the contrary. Over several landings (using the shuttle Scylla), humans cut through alien ship's hull at more than one places, face some hallucinations & injuries inside ship, kill some creatures inside, & kidnap two for investigation! These alien creatures are dubbed "Scramblers".

Kidnapped ones, dubbed Stretch & Clench, are put in cages, & treated to all kinds of abuse. But extreme comes when the humans want to figure out a way of communicating with aliens. Reminded me of laboratory animals. Use torture to make them learn! Here is the enlightenment:

"Start with two beings ... that ... know how to talk among themselves.

Separate them. Let them see each other... Let them practice the art of conversation in their own chosen way...

Hurt them...

when you discover just the right stimulus, the optimum balance between pain and injury, you must inflict it without the remorse...

give one of your subjects the means to end the pain, but give the other the information required to use it. To one you might present a single shape, while showing the other a whole selection. The pain will stop when the being with the menu chooses the item its partner has seen...

This is how you communicate with a fellow intelligence: you
hurt it, and keep on hurting it, until you can distinguish the speech
from the screams."

Hence begins the Inquisition to learn their competence (way beyond humans) & their way of talking that ultimately results in the death of both subjects!

Naturally there is a reaction from alien ship. End is escape of a live Siri & a dead Jukka in a shuttle Charybdis towards earth. All other occupants of both Theseus & Rorschach die, along with destruction of both ships.

Fact sheet.
"Blindsight", novel, review
Rating: C
First published: October 2006
Nominated for Hugo Award 2007 in novel category.

See also.

  1. Eric Donovan in Larry Niven's stories is a cyborg much more deeply integrated with the spaceship via prosthetic aids, when compared with Jukka Sarasti or Isaac Szpindel.
  2. An alternative & non-violent way of learning the language to communicate with very cooperative aliens is found in Ted Chiang's "Story Of Your Life".

Quotes from Peter Watts' novel "Blindsight"

While I didn't like the novel, it provided some quotes that made me ponder:

1. "Technology implies belligerence."

2. "space faring extraterrestrials ... if there are any ... they're not just going to be smart. They're going to be mean." "What is Human history, if not an ongoing succession of greater technologies grinding lesser ones beneath their boots?"

3. "tools existed for only one reason: to force the universe into unnatural shapes. They treated nature as an enemy, they were by definition a rebellion against the way things were. Technology is a stunted thing in benign environments, it never thrived in any culture gripped by belief in natural harmony."

4. History "only suggested that those who had stopped no longer struggled for existence. There could be other, more hellish worlds where the best Human technology would crumble, where the environment was still the enemy, where the only survivors were those who fought back with sharper tools and stronger empires. The threats contained in those environments would not be simple ones. Harsh weather and natural disasters either kill you or they don't, and once conquered—or adapted to— they lose their relevance. No, the only environmental factors that continued to matter were those that fought back, that countered new strategies with newer ones, that forced their enemies to scale ever-greater heights just to stay alive. Ultimately, the only enemy that mattered was an intelligent one."

5. "The fact that Rorschach's still growing may be the best reason to leave it alone for a while. We don't have any idea what the mature ... form of this artifact might be. Sure, it hid. Lots of animals take cover from predators without being predators, especially young ones. Sure, it's evasive. Doesn't give us the answers we want. But maybe it doesn't know them, did you consider that? How much luck would
you have interrogating a Human embryo? Adult could be a whole
different animal."

6. "You're thinking about the aliens like they were some
kind of mammal. Something that cares, something that looks after
its investments." "How do you know they aren't?" "Because you can't protect your kids when they're light years away. They're on their own, and it's a big cold dangerous universe so most of them aren't going to make it, eh? The most you can do is crank out millions of kids, take cold comfort in knowing that a few always luck out through random chance."

7. "Humans didn't really fight over skin tone or ideology; those were just handy cues for kin-selection purposes. Ultimately it always came down to bloodlines and limited resources."